This is going to be a rave review. I like Julie Zickefoose’s art, her writing, her blog, her blog posts here on 10,000 Birds, and, of course, I like birds. So a book about birds by Julie Zickefoose, featuring her writing and art, some of which has been featured in different forms on her blog, is guaranteed to be a hit with me. How could it not be? And The Bluebird Effect: Uncommon Bonds With Common Birds not only lived up to the great expectations that I had for it but greatly exceeded them.

First of all, the 384-page book is beautiful from hardcover to hardcover, literally. The Eastern Bluebird on a fence post surrounded by wildflowers on the front cover is great but I like the Ruby-throated Hummingbird perched on a clothesline, dwarfed by clothespins, that graces the back cover even more. The book is loaded with Julie’s art from rough sketches, often helpfully captioned in Julie’s own handwriting, to full-color, full-page reproductions of her wonderful watercolors. I love her Carolina Wrens, her Piping Plovers, her Chimney Swifts, her Ivory-billed Woodpeckers, and her Phoebes, both avian and human. You might be forgiven for thinking that a book so richly illustrated could not possibly have prose to match but Julie managed to do it.

In his forward, Scott Weidensaul points out that Julie “has the ability to capture the spark of a living creature” and I agree. The birds in her art are alive and the birds in her writing are larger than life. As a birder I like to believe that I have amassed a significant quantity of information about birds but Julie, in her labor of love as a wildlife rehabilitator, puts my puny store of bird lore in the shade. She has become intimately involved in the lives of the birds she has helped and carefully observed and the knowledge she has gained is shared throughout the book. But her writing is not the dry text of a biology book or scientific paper. It brims with humor, with depth, with emotion, and with deeply personal stories that transcend typical nature writing. Perhaps my favorite sentence in the entire book captures all of these elements succinctly: “Vultures make me smile, like sun sparkling on water.”

It is her willingness to share personal moments in a way that is not self-aggrandizing or egotistical that is perhaps what makes Julie’s writing so accessible. You don’t forget that Julie is a mother, a wife, a daughter. But her family’s appearances throughout the twenty-five different chapters of the book are as natural as the descriptions of how she managed to get the nestling Chimney Swifts to eat or the decline of a long-lived Orchard Oriole. Julies does not compartmentalize her life, she lives it, and this book is a reflection of that, which might help explain why I like the back-cover image of the hummingbird on the clothesline so much.

But even as she lives her exceedingly busy life the gears in her head are turning and she is thinking deeply about the topics about which she writes. The work of a nature writer, particularly one writing about individual birds, is tricky. You can’t be overly anthropomorphic or write too clinically because either approach will turn off one audience or another. Julie manages the high wire act of recognizing that the birds are neither mindless automatons nor little people. I always thought I could detect a bit of Bernd Heinrich’s influences in Julie’s writings, though she manages to avoid the sometimes overly technical digressions on which Heinrich has a tendency to go off, and I was pleased to see my suspicions were correct as she names him, among several others, as an author of nature books that she counts among her favorites.

Like Heinrich, Julie shares not only the stories that she wants to tell but also the thought processes that she went through to come to her conclusions. Her writing is the richer for it because you feel like you are going along on a ride in Julie’s mind and by the time she has figured out where she stands on an issue you are likely to be there standing next to her. Even if you aren’t in the exact same place you can understand and appreciate how she got to where she is. This style of writing is most evident in her two pieces that grapple with issues around hunting, her writing about the Ivory-billed Woodpecker, and her moving and marvelous chapter about Charlie, the irascible Chestnut-fronted Macaw that she lived with for twenty-three years.

I count Julie as a friend and a role model. Her willingness to forge her own path, professionally and personally, is an inspiration to many, and I highly recommend that you go out and get a copy. Your heart and mind will be the richer for it.

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Written by Corey
Corey is a New Yorker who lived most of his life in upstate New York but has lived in Queens since 2008. He's only been birding since 2005 but has garnered a respectable life list by birding whenever he wasn't working as a union representative or spending time with his family. He lives in Forest Hills with Daisy, their son, Desmond Shearwater, and their indoor cat, B.B. His bird photographs have appeared on the Today Show, in Birding, Living Bird Magazine, Bird Watcher's Digest, and many other fine publications. He is also the author of the American Birding Association Field Guide to the Birds of New York.